Game Techniques Used by Marsius Sitohang

Oct 13, 2025 by sorusgentrification.com 99 views

Introduction

Sulim, a traditional Toba Batak stir-fried musical instrument, plays a significant role in the regional music tradition. The melody "Andung", one of the most popular melodies in Sulim Repertoire, has its own uniqueness. This thesis, "Musical Analysis and Sulim Batak Toba Game Techniques by Marsius Sitohang", delves deeper into the "Andung" melody as played by Sulim Maestro, Marsius Sitohang. In this article, we will explore the musical analysis and game techniques used by Marsius Sitohang in playing the "Andung" melody.

Methodology

This study employs a qualitative descriptive method, focusing on transcription and analysis of the "Andung" Melody Marsius Sitohang. The researchers apply the theory of "Weighted Scale" from William P. Malm to understand the structure of the melody, and the theory of "physical behavior and verbal musicians" by Alan P. Merriam to analyze the game techniques.

Theoretical Framework

The "Weighted Scale" theory by William P. Malm is a crucial concept in understanding the structure of the "Andung" melody. This theory suggests that the weight or emphasis of each note in a melody can affect its overall sound and feel. By applying this theory, the researchers can gain a deeper understanding of the melodic structure and its emotional impact.

Game Techniques Used by Marsius Sitohang

The sulim game technique used by Marsius Sitohang is the main focus of this study. There are four prominent techniques used by Marsius Sitohang, namely:

Mangantan Hosa

This technique produces a soft and smooth sound that is often used for the soft and serene melody. The Mangantan Hosa technique is characterized by a gentle and soothing sound that creates a peaceful atmosphere.

Mangarutu

This technique produces a more powerful and dynamic sound, often used for more energetic melodies. The Mangarutu technique is characterized by a strong and bold sound that creates a sense of excitement and energy.

Nodding

This technique produces sounds that are like whispering, often used to create dramatic effects and emphasis on certain parts of melodies. The nodding technique is characterized by a soft and subtle sound that creates a sense of intimacy and closeness.

Mangenet

This technique produces vibrating and rustling sounds, often used to give more dramatic and emotional effects on melodies. The Mangenet technique is characterized by a dynamic and expressive sound that creates a sense of tension and release.

The Unique Scales Used by Marsius Sitohang

The "Andung" melody used by Marsius Sitohang is built from the C-Cis-D-e-Fis-G-A scale. This unusual choice of tone provides unique colors and characteristics to the "Andung" melody. The use of non-diatonic scales creates a sense of tension and release, adding depth and complexity to the melody.

Conclusion

This study has made a valuable contribution in understanding and appreciating the Toba Batak Sulim Music. The musical analysis and game techniques conducted in this study not only help us understand the structure and technique of the Marsius Sitohang version of Marsius Sitohang, but also provides insight into the cultural wealth and music tradition of Toba Batak. Through works like this, we can increasingly appreciate and preserve the cultural heritage of Indonesian music that is so rich.

Implications

This study has several implications for the field of musicology and ethnomusicology. Firstly, it highlights the importance of understanding the cultural context and tradition of music. Secondly, it demonstrates the value of qualitative descriptive methods in analyzing musical performances. Finally, it showcases the unique and expressive qualities of the Toba Batak Sulim Music.

Recommendations

Based on the findings of this study, several recommendations can be made. Firstly, further research should be conducted to explore the cultural significance and tradition of the Toba Batak Sulim Music. Secondly, the use of qualitative descriptive methods should be encouraged in musicological and ethnomusicological research. Finally, the unique scales and game techniques used by Marsius Sitohang should be preserved and promoted as an important part of Indonesian cultural heritage.

Limitations

This study has several limitations. Firstly, the sample size is limited to a single performer, Marsius Sitohang. Secondly, the study focuses on a single melody, "Andung". Finally, the study relies on qualitative descriptive methods, which may not be suitable for all types of research.

Future Research Directions

Several future research directions can be identified. Firstly, further research should be conducted to explore the cultural significance and tradition of the Toba Batak Sulim Music. Secondly, the use of quantitative methods should be explored to complement the qualitative descriptive methods used in this study. Finally, the unique scales and game techniques used by Marsius Sitohang should be further analyzed and documented to preserve and promote the cultural heritage of Indonesian music.

Introduction

In our previous article, we explored the musical analysis and game techniques used by Marsius Sitohang in playing the "Andung" melody. In this article, we will answer some of the frequently asked questions related to this topic.

Q: What is the significance of the "Andung" melody in Toba Batak Sulim Music?

A: The "Andung" melody is one of the most popular melodies in Sulim Repertoire and plays a significant role in the regional music tradition. It is a unique and expressive melody that showcases the cultural wealth and music tradition of Toba Batak.

Q: What is the theory of "Weighted Scale" and how is it applied in this study?

A: The "Weighted Scale" theory by William P. Malm suggests that the weight or emphasis of each note in a melody can affect its overall sound and feel. In this study, the researchers apply this theory to understand the structure of the "Andung" melody and its emotional impact.

Q: What are the four prominent techniques used by Marsius Sitohang in playing the "Andung" melody?

A: The four prominent techniques used by Marsius Sitohang are:

Mangantan Hosa: produces a soft and smooth sound
Mangarutu: produces a more powerful and dynamic sound
Nodding: produces sounds that are like whispering
Mangenet: produces vibrating and rustling sounds

Q: What is the significance of the unique scales used by Marsius Sitohang in playing the "Andung" melody?

A: The use of non-diatonic scales creates a sense of tension and release, adding depth and complexity to the melody. This unique choice of tone provides a distinctive sound and feel to the "Andung" melody.

Q: How does this study contribute to the field of musicology and ethnomusicology?

A: This study highlights the importance of understanding the cultural context and tradition of music. It also demonstrates the value of qualitative descriptive methods in analyzing musical performances and showcases the unique and expressive qualities of the Toba Batak Sulim Music.

Q: What are the implications of this study for the preservation and promotion of Indonesian cultural heritage?

A: This study has several implications for the preservation and promotion of Indonesian cultural heritage. Firstly, it highlights the importance of preserving and promoting the unique scales and game techniques used by Marsius Sitohang. Secondly, it demonstrates the value of qualitative descriptive methods in analyzing musical performances and showcasing the cultural wealth and music tradition of Toba Batak.

Q: What are the limitations of this study and how can they be addressed in future research?

A: The limitations of this study include the small sample size and the focus on a single melody. Future research should aim to explore the cultural significance and tradition of the Toba Batak Sulim Music, use quantitative methods to complement the qualitative descriptive methods, and further analyze and document the unique scales and game techniques used by Marsius Sitohang.

Q: What are the future research directions for this study?

A: Several future research directions can be identified, including:

Further research on the cultural significance and tradition of the Toba Batak Sulim Music
Use of quantitative methods to complement the qualitative descriptive methods
Further analysis and documentation of the unique scales and game techniques used by Marsius Sitohang
Exploration of the cultural significance and tradition of other Indonesian musical instruments and traditions

Conclusion

In this article, we have answered some of the frequently asked questions related to the musical analysis and game techniques used by Marsius Sitohang in playing the "Andung" melody. We hope that this article has provided a deeper understanding of the significance and importance of this study and its contributions to the field of musicology and ethnomusicology.